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Books
Mark Leckey: Fiorucci Made Me Hardcore
For Mitch Speed, the interweaving of personal and collective memory in Mark Leckey’s Fiorucci Made Me Hardcore gives voice to the complexities of class and cultural transformation during Britain’s Thatcherite era.
Journal
Autumn/Winter 2019
Afterall is pleased to present our anniversary issue 48, Autumn/Winter 2019 – ‘Looking Back, Looking Forward: 20 Years of Afterall’ – which reflects on changes and fractures in the art world over the last two decades of Afterall journal.
Online
Building Social Interdependency: Gluklya’s Feminist Practice
Through reviewing Gluklya’s recent exhibition at the Van Abbemuseum, Ana S. González Rueda analyses the artist's feminist approach to collaborative practices.
Online
‘Frida Orupabo and Arthur Jafa – Medicine for a Nightmare’
In response to the exhibition ‘Frida Orupabo and Arthur Jafa– Medicine for a Nightmare’, Shama Khanna considers the mediation of violence and black pain in the art world’s white spaces.
Online
Exhibition Histories Talks: Charles Gaines – video online
Charles Gaines was joined by Louis Hartnoll and John Tain to discuss ‘The Theater of Refusal: Black Art and Mainstream Criticism’, an exhibition that foregrounded questions of structural racism by juxtaposing works by African-American artists with their reception in mainstream arts criticism
Books
Walker Evans: Kitchen Corner
Olivier Richon provides a detailed examination of Walker Evans’s now-iconic 1936 photograph Kitchen Corner; in doing so he reveals an unexpected set of visual and literary associations that lie beneath the surface.
Afterall is a research and publishing organisation that focuses on contemporary art.
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Books: One Work
Mark Leckey: Fiorucci Made Me Hardcore
For Mitch Speed, the interweaving of personal and collective memory in Mark Leckey’s Fiorucci Made Me Hardcore gives voice to the complexities of class and cultural transformation during Britain’s Thatcherite era.
-
Journal
Autumn/Winter 2019
Afterall is pleased to present our anniversary issue 48, Autumn/Winter 2019 – ‘Looking Back, Looking Forward: 20 Years of Afterall’ – which reflects on changes and fractures in the art world over the last two decades of Afterall journal.
-
Online: Reviews
Building Social Interdependency: Gluklya’s Feminist Practice
Through reviewing Gluklya’s recent exhibition at the Van Abbemuseum, Ana S. González Rueda analyses the artist's feminist approach to collaborative practices.
-
Online: Reviews
‘Frida Orupabo and Arthur Jafa – Medicine for a Nightmare’
In response to the exhibition ‘Frida Orupabo and Arthur Jafa– Medicine for a Nightmare’, Shama Khanna considers the mediation of violence and black pain in the art world’s white spaces.
-
Online: Contexts
Exhibition Histories Talks: Charles Gaines – video online
Charles Gaines was joined by Louis Hartnoll and John Tain to discuss ‘The Theater of Refusal: Black Art and Mainstream Criticism’, an exhibition that foregrounded questions of structural racism by juxtaposing works by African-American artists with their reception in mainstream arts criticism
-
Books: One Work
Walker Evans: Kitchen Corner
Olivier Richon provides a detailed examination of Walker Evans’s now-iconic 1936 photograph Kitchen Corner; in doing so he reveals an unexpected set of visual and literary associations that lie beneath the surface.
-
Online: Contexts
History Now: Notes on Ellen Cantor: A history of the world as it has become known to me
In light of the recent publication, Ellen Cantor: A history of the world as it has become known to me, Sabeth Buchmann examines the politically prescient work of Ellen Cantor.
