Issue 57
Issue 57 ‘Palestine and the World’ is premised on the intention to examine some of the collectives included in lumbung one and their work with the attention we deem they deserve but have not been given yet. If only three of the nine contributions in this issue directly engage with projects in lumbung one, the escalation of the attacks and destruction of Gaza since October 2023 have magnified, retrospectively and in horrific ways, the West’s resistance to, if not its attempts to suppress subaltern and Global South worldviews that had played out in Kassel. Following lumbung one’s cascading logic, this issue then branches out, on the one hand, towards further engagements with Palestinian art and visual culture as a way to fend off ongoing erasure and, on the other, towards new understandings of geographies of art practices and histories.
Editors: Elisa Adami, Amanda Carneiro, Nav Haq, Mark Lewis, Adeena Mey, Charles Stankievech, and Chloe Ting
Table of Contents
Foreword
Events, Works, Exhibitions
- Tashkent-Kassel: Make-Believe Ethnography, Assembly and Archival Research – Furqat Palvan-Zade
Contexts
- Dance as Socialist World-Building – Xin Wang
Artists Insert
- Night – Han Mengyun
Artists
Contexts
Events, Works, Exhibitions
Contexts
Artists: Sung Hwan Kim
Artists Insert
- The Sand Reckoner – Haseeb Ahmed
Purchase
The publication is available for purchase. If you would like specific articles only, it is also available individually and to be downloaded as PDF’s.
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Buy via Central Books (UK) and Les presses du reel (EU/Asia/Africa/Latin America)
PURCHASE INDIVIDUAL ARTICALES
Buy via University of Chicago Press
