We Burn Disbelief: Disability, Surveillance Infrastructures and Salvation Ecologies
Artist and writer Khairani Barokka takes apart the ‘infrastructure of disbelief’ that permeates the contemporary art world, or what she ironically dubs CAW. Looping together a violent chain of disbeliefs, Barokka shows how such infrastructure is a feature of both art institutions and increasingly privatised and over-stretched medical service providers.
