Inti Guerrero looks at the Brazilian architect Flávio de Carvalho's designs for a modern man of the tropics: a transgendered New Look that grew out of his interest in crowd psychology and studies of efficiency.
Colin Perry looks back at Channel 4's groundbreaking programming of the 1980s, and in particular Stuart Marshall's Bright Eyes, one of the first documentaries to confront the AIDS crisis.
Michael Snow's Wavelength (1966) is a masterful study of perception: the camera slowly zooms from one end of a loft space to its far wall, accompanied by the sound of a rising sine wave. Elizabeth Legge here analyses the film and the intellectual dramas to which it has played host.
Looking at Babette Mangolte's filming of key performance pieces of the 1970s, and at her own films and installation work, Barbara Clausen considers the relationship between performance and documentation forty years on.
Is the past 'far away'? Melissa Gronlund reflects on the 56th Oberhausen Short Film Festival's recent programme of films from pre-World War I Europe.
Darboven's Cultural History 1880-1983 is an encyclopedic installation weaving together autobiographical documents and iconic figures. Dan Adler explores the complexities of the work, making comparisons with Aby Warburg, Jasper Johns and Gerhard Richter.
Inti Guerrero looks at the Brazilian architect Flávio de Carvalho's designs for a modern man of the tropics: a transgendered New Look that grew out of his interest in crowd psychology and studies of efficiency.
Colin Perry looks back at Channel 4's groundbreaking programming of the 1980s, and in particular Stuart Marshall's Bright Eyes, one of the first documentaries to confront the AIDS crisis.
Michael Snow's Wavelength (1966) is a masterful study of perception: the camera slowly zooms from one end of a loft space to its far wall, accompanied by the sound of a rising sine wave. Elizabeth Legge here analyses the film and the intellectual dramas to which it has played host.
Looking at Babette Mangolte's filming of key performance pieces of the 1970s, and at her own films and installation work, Barbara Clausen considers the relationship between performance and documentation forty years on.
Is the past 'far away'? Melissa Gronlund reflects on the 56th Oberhausen Short Film Festival's recent programme of films from pre-World War I Europe.
Darboven's Cultural History 1880-1983 is an encyclopedic installation weaving together autobiographical documents and iconic figures. Dan Adler explores the complexities of the work, making comparisons with Aby Warburg, Jasper Johns and Gerhard Richter.
In this essay from our archives, Michael Ned Holte looks at the complex, impure Conceptual art project of the Center for Land Use Interpretation.
Journal
Don't miss Michael Clark's performances this weekend in the Tate Turbine Hall! To read more about this groundbreaking choreographer, follow the links below to essays by Suzanne Cotter and Tate curator Catherine Wood from the Spring/Summer 2004 issue of Afterall.
Journal
The UK's first major showing of the Russian collective Chto Delat? opens on the 9th September at the ICA, London. Read Afterall's extensive interview between theorist Gerard Raunig and Dmitry Vilensky of the group from our Autumn/Winter 2008 issue.