Published 10.01.2012
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Nancy Buchanan is a key figure of the performance art scene and of the feminist art movement that emerged in Southern California during the 1970s. Her works have often positioned the audience as participants in a wider conversation on the gendered and defamilarised body, the perils of commercialised spectatorship and consequences of the increasing militarisation in contemporary society. There is an ethical core to Buchanan’s artistic practice, grounded in the observation of lived history. At the same time, a disarming element of ‘serious play’ characterises many of her performances, installations and works in image and text.
Audrey Chan interviewed Nancy Buchanan at her home and studio in the Mount Washington neighbourhood of Los Angeles. Here, the artist maps her trajectory in her own words, beginning with her education in the progressive and influential art programme at University of California-Irvine, alongside a selection of artworks from the past forty years.
Buchanan’s works are currently featured in the ‘Pacific Standard Time’ exhibitions: ‘Under the Big Black Sun’ at LA MOCA’s Geffen Contemporary (through February 13th 2012), ‘Best Kept Secret: UCI and the Development of Contemporary Art in Southern California, 1964-1971’ at the Laguna Art Museum (through 22nd January 2012), and ‘L.A. RAW: Abject Expressionism in Los Angeles, 1945-1980, From Rico Lebrun to Paul McCarthy’ at the Pasadena Museum of California Art (22 January–20 May 2012). She is co-curator with Kathy Rae Huffman of ‘Exchange and Evolution: Worldwide Video Long Beach 1974-1999’ at the Long Beach Museum of Art (through 12 February 2012). ‘Pacific Standard Time’ is the Getty Foundation’s unprecedented initiative to present Los Angeles art made during the formative post-War period of 1945-1980 in an expansive series of exhibitions across Southern California.
