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Journal
Published three times a year, each issue of
Afterall
journal includes in-depth considerations of the work of contemporary artists, as well as essays on art history and critical theory.
Back Issues
– Autumn/Winter 2002
Contextual Essays
Looking for Something to Read
Small Gestures in Specific Places: Communication and Topography
Artists
Laylah Ali
Almost Comic: The Art of Laylah Ali
Hanna Barbarity
Chantal Akerman
Images of an Indivisible Order
These Shoes Are Made for Walking
Allen Ruppersberg
Allen Ruppersberg: Certain of His Books
'For nobody knows himself, if he is only himself and not also another one at the same time...'
Sean Snyder
Jump Cut Cities
The Slobozian Question
Ducks, Gambling and Cultural Bankruptcy, or The Bastardised Urban Landscape
Helen Levitt
Four Photographs by Helen Levitt: One from the Forties, Three from the Eighties
Useless Reportage: Notes on Helen Levitt's In the Street
– Spring/Summer 2002
Contextual Essays
The Decline of the Circus and the Marching Band Is Permanent and Final
A Lecture on Realism
Artists
Pawel Althamer
Looking Back Without Being Able to See
The Annotated Althamer
Mary Heilmann
Love Action: Mary Heilmann and the Joy of Painting
Images as the Symptoms of Painting: The Antitotalitarianism of Mary Heilmann
Barbara Kruger
Peasant Uprisings in Seventeenth-Century France, Russia and China
Freedom versus Function
Chris Petit
Detail, Digression, Death: The Movies in Chris Petit's Film Negative Space
Anatomies of the Image
Anri Sala
Getting Lost Is of the Essence: Anri Sala's Cinematic Parables
Finding the Words
– Autumn/Winter 2001
Contextual Essays
On the Saying that Philosophy Begins in Thaumazein
Mutatis Mutandis. Curating in the Millennium
Artists
Jack Goldstein
Figuring Difference: The Work of Jack Goldstein
Managing Fascination: Jack Goldstein, Hollywood and the Desire for Control
Moderato Cantabile
Frances Stark
The Housewife in Public
All Things to All People
Thomas Struth
Lost Paradises
Wondering About Struth
Lily van der Stokker
We Have Gotten Through Difficult Times or, Female Trouble: Brightening the Corners since 1990
How Much Nerve Does It Take to Stand Up for 'Feminine Stupidity'?
As Pink as Possible
Cerith Wyn Evans
Style and Council: Cerith Wyn Evans and the Devastation of Meaning
This Evening, Cerith
– Spring/Summer 2001
Contextual Essays
A Conflict at the Very Heart of the Identification
Performance as Metaphor
Artists
Karen Kilimnik
What Do You Know About My Image Duplicator
The Good Enough
Michelangelo Antonioni
Michelangelo Antonioni: Three Landscapes
Caro Antonioni
Hilary Lloyd
TV Eye on You: On the Video-Works of Hilary Lloyd
Hilary Lloyd: The Work of Time
Uri Tzaig
The Counterpointed Medium (and the Amorous Twin). On the Recent Works of Uri Tzaig
Reims by the Banks of the Dead Sea
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