Nicole Wolf surveys the latest edition of Experimenta in Bangalore, the Indian festival of experimental cinema, with this year a special focus on film and video work from Asia.
Looking at Babette Mangolte's filming of key performance pieces of the 1970s, and at her own films and installation work, Barbara Clausen considers the relationship between performance and documentation forty years on.
In this book, Julian Jason Haladyn argues that Marcel Duchamp's intention in his final artwork, Étant donnés, was not to provide a neat summation of his career, but the opposite: to question and even undermine definitive readings of his own previous work.
Lamia Joreige considers the frontier between the conscious and the unconscious in the work of Jalal Toufic, Andrei Tarkovsky, Jean Cocteau and David Lynch, setting these in relation to her recent video installation 3 Triptychs.
Claire Barliant considers how artists in the US are responding -- in exhibited artwork and community projects -- to the housing and financial crises.
In Joan Jonas's 1967 I Want to Live in the Country... she investigates a geography of displacement and desire. Susan Morgan considers how Jonas has used performance and video since 1968 to explore ways of seeing and the authority of objects and gestures.
Nicole Wolf surveys the latest edition of Experimenta in Bangalore, the Indian festival of experimental cinema, with this year a special focus on film and video work from Asia.
Looking at Babette Mangolte's filming of key performance pieces of the 1970s, and at her own films and installation work, Barbara Clausen considers the relationship between performance and documentation forty years on.
In this book, Julian Jason Haladyn argues that Marcel Duchamp's intention in his final artwork, Étant donnés, was not to provide a neat summation of his career, but the opposite: to question and even undermine definitive readings of his own previous work.
Lamia Joreige considers the frontier between the conscious and the unconscious in the work of Jalal Toufic, Andrei Tarkovsky, Jean Cocteau and David Lynch, setting these in relation to her recent video installation 3 Triptychs.
Claire Barliant considers how artists in the US are responding -- in exhibited artwork and community projects -- to the housing and financial crises.
In Joan Jonas's 1967 I Want to Live in the Country... she investigates a geography of displacement and desire. Susan Morgan considers how Jonas has used performance and video since 1968 to explore ways of seeing and the authority of objects and gestures.
Check out curator Lars Bang Larsen's show 'A History of Irradiated Material' at Raven Row in London, with work by Lygia Clark, Chto Delat?, Bernadette Corporation, Group Material and more.
The collecting writings of legendary film critic Manny Farber have recently been published! Read Michael Ned Holte's essay on Jean-Pierre Gorin's film Routine Pleasures, which he dedicated to Farber, here (subscribers only). More on Farber from LUX in London here.