Tate Britain Auditorium, Millbank, London SW1P 4RG
Friday 30 April 2010, 10.00 to 18.00
£25 (£15 concessions)
This symposium will explore the social turn in exhibition-making
in Europe and North America in the 1990s, looking at the part
played by political activism, institutional critique and forms of
socialisation influenced by the media and the moving image.
Questioning labels such as 'Kontext Kunst', 'social engagement' and
'relational aesthetics', the participants will discuss developments
in recent contemporary exhibition history, including exhibitions
staged outside of the art institution that engaged with site in the
broadest sense. Speakers will include Doug Ashford, Claire Bishop,
Sabeth Buchmann, Charles Esche, Rebecca Gordon-Nesbitt, Stéphanie
Jeanjean, Renate Lorenz, Christian Philipp Müller and Stephan
Schmidt-Wulffen.
Organised by Afterall, at Central Saint Martins College of Art and
Design, as part of the Exhibition Histories project and in conjunction
with the Academy of Fine Arts Vienna and the Van Abbemuseum,
Eindhoven. Supported by the University of the Arts London, the
Institut Français du Royaume-Uni and the Goethe-Institut.
Realised within the framework of FORMER WEST, a
contemporary art research, education, publishing and exhibition
project (2008-2013). FORMER WEST is supported by the Mondriaan
Foundation, EU Culture Programme, European Cultural Foundation, and
the City of Utrecht.
For tickets book online or call 020 7887 8888
Picture caption: Ute Meta Bauer and Yvonne P. Doderer, Raumstruktur, 1994. Photo: Esther Thylmann.
Art and the Social: Exhibitions of Contemporary Art in
the 1990s
Tate Britain, London, Friday 30 April 2010
10.00 Welcome by Charles Esche
Exhibitions and Activism
10.10 Doug Ashford on the 1988-89 exhibition
'Democracy' at the DIA Art Foundation New York (curated by Group
Material)
10.45 Renate Lorenz on the 1993 exhibition 'Trap'
at Kunst-Werke Berlin, conceived as intervention into the situation
of art and activism in Germany (curated by Minimal Club in Munich,
Büro Bert in Düsseldorf, Art in Ruins in London)
11.20 Questions - led and chaired by Stephan
Schmidt-Wulffen
11.40 tea and coffee
Art in the Social Sphere?
12.00 Claire Bishop on three exhibitions from
1993, 'Culture in Action' in Chicago, 'Unité d'Habitation' in
Firminy and 'Sonsbeek' in Arnhem
12.40 Christian Philipp Müller in response
13.00 Questions - led and chaired by Charles Esche
13.20 lunch break
Context, Relationality, Participation
14.30 Sabeth Buchmann on 'Kontext Kunst' and
'Institutional Critique' in exhibition-making in Germany in the
1990s, setting 1 or 2 exhibitions within their context
15.00 Stéphanie Jeanjean on the viewer's
experience and the social dimension of selected exhibitions that
gave rise to the 'Relational Aesthetics' label in France in the
1990s
15.30 Rebecca Gordon-Nesbitt on the social
dimension of artist-run spaces in the UK in the 1990s, specifically
in Glasgow (Transmission) and London
16.00 Questions - led and chaired by Stephan
Schmidt-Wulffen
16.30 tea and coffee
Panel Discussion
17.00 Review of the day and summary questions posed Charles
Esche followed by questions to all speakers/respondents
18.00pm end